Glass Moose, “Afterfloor”: Falling Slowly, Eyes Open.
The floor is gone. You know it. And still there’s no panic. Instead, something stranger happens: the calm of watching everything as you fall. “Afterfloor” lives in that space, in a sustained fall that feels tense not because of speed, but because of awareness. Colombian producer and artist Joanny García Correa, debuting as Glass Moose, gives this moment a quiet rhythm with a hint of optimism underneath. The fall already contains the promise of return.
The artist also designed the cover. The body isn’t falling downward, it arches backward, open, suspended in a space with no reference point. Not the fear of falling. What you find on the way down.
This single is Glass Moose’s first release with NCGB Music Inc., an independent Canadian label he recently joined. Both artist and label are taking a shared bet on letting the music lead.
Welcome to the Oblivion, a five-track EP arriving May 30, starts from that feeling: transition, forgetting, memory. “Afterfloor” opens the sequence at the moment when you still don’t know how far you’ll fall.
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