HITS MALSONANTES — VOL. 2 · Weekly Edition

HITS MALSONANTES · VOL. 2 · ABR · 13 ·2026

Volume 2 is coming in loud. Seven from the south, seven from the north. Fourteen songs that stuck around this week.

On the Canadian side, Gabriella Olivo sings in Spanish and French without separating anything in Que Je Vous Aime. Everything happens close. Bye Parula, a French guy, a Chilean, and an Italian in Montreal, build Something Out of Nothing from layers that don’t try to stand out on their own, just stay together. Loviet steps in with Debutante measuring every space, knowing when to appear and when not to. Choses Sauvages are back with Seul, a song about limerence and the romanticization of what hurts you. Bioskop lets Runner move without rushing. You realize late that you’re already inside it. Miesha & The Spanks go straight at it in Fight My Body, no detours, everything up front. Yes, Officer closes with Salt in the Wound: Jeremy Harnum alone, everything raw, nothing overcorrected.

On the Latin side, Diles Que No Me Maten take Híkuri, José Vicente Anaya’s cursed 1978 poem about peyote as a Rarámuri ritual, and turn it into a loop that won’t let go. A phrase that keeps coming back until it stays. Sakatumbahold the tension in Ataques en mi ciudad without breaking it. The song breathes like the city it describes. Lara 91k sinks into the production on Shmoke. The voice doesn’t lead, it accompanies. Everything happens under the radar. Matías Aguayo and Camila Madoki mix voice and machine in La heredera until the line between the two disappears. Catalina ft. Armenia build from the subtle in Mes a Mes, nothing competes, everything finds its place. AIMÊE and producer Quiterio twist reggaeton from the inside in Neoreggaeton: they keep the Dominican urban pulse and push the shape until it lands somewhere closer to gabber. Los Wookies close with Lossless, first taste of Electropia, their return after more than a decade. Analog sound that doesn’t explain itself, but stays.