HITS MALSONANTES Vol. 4 · Weekly Edition – April 2026 
Simón Mejía and Soy Emilia: “VELUX” – A Planet With No Name Yet 
Ontario Just Capped Ticket Resale Prices. Did Fans Win, or Did Ticketmaster? 
Lydia Képinski, “Graal”: Driving Without Knowing Who You Are 
The Hottest Indie Band Right Now Had Fake Fans. They Still Played Coachella. 
Nasha, Revay’s New EP, Wants to Intoxicate You…And It Succeeds.
Sometimes you want something quiet, but not something that makes you stand still. Revay arrived on a day like that...
HITS MALSONANTES — VOL. 2 · Weekly Edition – Apr 13
HITS MALSONANTES · VOL. 2 · ABR · 13 ·2026 Volume 2 is coming in loud. Seven from the south,...
Before You Sign Anything: A Simple Guide to Music Publishing
Review by Camilo González Blanco for El Malsonante Because art should pay the bills, too Introduction What every artist should...
“Malvada”, The Constant Movement Of Nuevos Ríos
“Malvada”, the latest release from Nuevos Ríos, is built around a Pacific coast rhythm that opens to other sounds without...
Massive Attack to freedom: Robert Del Naja, 3D, detained in London for opposing genocide
Robert Del Naja, also known as 3D and the remaining member of Massive Attack, was detained yesterday in London during...
The Map Is Shrinking
How the Trump administration's policies are pushing international artists out of the United States — and what that means for...
Koyot – “The Count”: The Architecture of Shadows
Lately, I’ve been shifting my daily routine, and while inhabiting those new hours of silence, I came across "The Count,"...
Kaputt Festival Futuro: Music, Ideas, Community
Bogotá welcomes Kaputt Festival Futuro, a bold new festival launching on April 24 and 25 at Proyecto Kinder. Far more...
Cartography of Sound #1: New York—Gang Gang Dance
The Concrete Trance Every city has a sound that betrays it. A murmur, a pulse, a frequency vibrating under the...
Hits Malsonantes Vol. 1 · Apr 2026
HITS MALSONANTES · VOL. 1 · 7 · ABR 2026 Weird week. Good weird. Fourteen songs from different places that...